These Third and Fifth Year Raidens produce an average of one hundred and forty to one hundred and sixty eggs during this time. By the time they are Raiden again in their seventh year, they produce far fewer eggs, but these are highly prized. Traditionally, all birds are caught and eaten at the beginning of their eighth year. These eggs are considered second-grade compared to
Kishilion
eggs, but unlike the Kishilion, the Raiden may be eaten. They are also a delicacy to many predators, illustrating the waste of
Raw Life, allowing most of their chicks to be consumed before reaching maturity.
Associated with comedy and fertility
The Raiden is also known for its comical appearance due to its startling eyes and elaborate iridescent red ‘headdress.’ This waving set of extravagant tubes is covered in millions of tiny feathers and scales in contrast to its near-uniform small green feathers on the rest of its round body. They are employed in a wide variety of displays, where, among other things, they can inflate and deflate one or all of their set. This is observed with great hilarity. These features and behaviours have led to many familiar absurd, satirical, and slapstick-related images in street theatre. The ‘Raiden Mask’ is a standard part of the comedic theatre. This tradition goes back to the
Everlasting Ennui, where Raiden masks, costumes and behaviour emphasize farcical elements of two of the ten plays of the collection, the ‘
Sime’ and ‘
Laranal.’ Due to their changing sexes, they are associated with delight and fertility and are
Kava-Kura
icons during her festival. This emblem reflects this cultural overlay in as much as the amusing aspects of the creature are somewhat exaggerated, although this distortion has always been viewed as affectionate. While most of these images are light-hearted, a distinct version of them is given out as
Bestowals
during the annual
Kava-Kura Festival
on Elder Candle Day (99) in Month Six, known as Tret, linking this humble bird with the Tatchlan
Face of Vital Delight.